contemporary art

Day 324: DOX Museum & Letna Park

Andrew likes to introduce me to new television shows and films (especially of the foreign variety) while I like to introduce him to art. More like: he humors me when I say I would like to visit a contemporary art museum. I promised a beer garden after- perhaps this helped. I have to admit, I really enjoy contemporary art museums, much like I enjoy thrift stores. As we were walking through the DOX Contemporary Art Museum, it dawned on me that they can be quite similar experiences. Often, in a thrift or secondhand store, it’s filled with a lot of things you aren’t interested in. at. all. You may even walk out with nothing, feeling a bit disappointed. But when you do see something you like- or even love- it’s like a bit of a treasure and it makes up for having to sift through so much that you simply didn’t appreciate. I felt this way walking through the DOX today. I was on the fence about the Disabled by Normality exhibition until I saw the Isolabella film by Danica Dakic and fell in love with the concept. I think Andrew even liked it… although I’m pretty sure he enjoyed Letna Park, the views of Prague complimented by the old school hip hop blasting from the skateboard park, and the beer (of course) a little bit more. But, hey, it’s pretty hard to beat this view, so I don’t blame him.

The exhibition was interesting, we may have done it in an incorrect order (I can never understand why museums don’t use more arrows) but like I said above, by far, my favorite part was this super interesting short film made in Bosnia and Herzegovina by Danica Dakic. I’m pretty sure it was the best part of the entire (somewhat large) exhibition.

Within this post, there used to be a still I managed to take of the video, of one resident playing the piano with his mask on backwards. I had credited the photo as being a still from the video made by Dakic, and in no way was trying to infringe on copyright, but was contacted by another photographer, who didn’t state any relation to Dakic. This photographer was unhappy with how I inserted the still of Dakic’s video in this blog post. Not only was he unhappy, but I found his message to be super condescending. Frankly had he not been so condescending or perhaps explained his relationship to Dakic… moreover if Dakic himself had contacted me- I would have immediately taken steps to appease him by “appropriately crediting” Dakic, even though in my opinion, I already had. It’s unfortunate. Dakic’s website is so minimal, it does not even provide stills or clips of the video to link up to at least try to convey how lovely the film turned out. It’s photographers and artists like the one who contact me that make me cringe and frankly dislike being any part of the “art world.” If I was Dakic, I would be ashamed of having this other photographer speak on my behalf. Artists, moreover photographers (like the one who contacted me) don’t have to be rude and condescending.

Instead of providing a still that I took (of one of my favorite moments of the video), and a complimentary “about” the video that I loved, I just took it all down out of annoyance. It’s a shame that art can’t be spread around the world because of persons like the one who emailed me.

I also enjoyed Kamila Ženatá’s solo exhibition: The Women’s Yard. When we got to the last room, it was filled with hanging crystals and changing lights. It was quite beautiful, but I scared myself silly when I walked into the dark room and then saw someone sitting (working) in the corner. He laughed at me. a lot. And then let me take a few pictures, but they really don’t do the light in the room justice…

After the DOX, as promised, we headed to Letna. First stop: the metronome. There used to be a huge (HUGE) Stalin monument here, but it was removed and a few years later this giant metronome was put in its place as a symbol of the change over time. The shoes hanging from an electrical wire were new to me though (so within the past six years they’ve been added) and I loved them! There were even a pair of old ice-skates dangling from the wire. They made me a little nervous, I mean, wouldn’t that be just my luck they accidentally fell on top of me walking underneath them? We walked around the park, and then doubled back to have a couple of Pilsners in the gardens before heading “home.”

Day 248: Istanbul Modern

“Are you going to stick it to them?” Andrew asked, laughing at me, as I stood outside of the museum after our visit ready to film one whole minute of the outside of the building.

“Yes.” I pouted, annoyed that the museum wouldn’t let me take any pictures (or video) inside. I snuck a few Instagram shots (which of course I got yelled at for every time) but that was IT. I even had to check my backpack. So, instead of being able to show you visually some of the really rad installations, including one of my most favorite contemporary artists, Olafur Eliasson (you can see more of his work here), I give you a boring one minute of Istanbul Modern.

(Boo, Istanbul Modern, Boo.)

I always wonder if it’s the museum or the artists being showcased who insist no photography is allowed. If I ever end up in a contemporary art museum, I think I’d pay people to take pictures of my work, I’d be so excited! I also get super frustrated when prints of the art I want aren’t available in the museum shops. I’m not going to print it out from my iphone or anything, I just want to remember (and share) what I saw! It’s one of my biggest pet peeves of the art world. 

Moving on: in case you’re interested in seeing what Istanbul Modern has to say about two of the exhibitions that we saw, you can read about Past and Future here, and about Fantastic Machinery here. (There were two other exhibitions in the museum, but there doesn’t appear to be any information on them on Istanbul Modern’s site.) Fantastic Machinery was probably my favorite exhibition. It was really well curated AND there were some Robert Frank images in the collection!